ESSAY
CONTINUED
Katjanelson’s work can be found in the permanent collections of museums and corporations throughout the Eastern seaboard. These include the National Museum of American Art, the Brooklyn Museum, the US Comptroller of Currency, Walden Publishing, Bank of America, Exxon, and Phillip Morris. Her exhibition history spans more than sixty years, from 1940 at the Los Angeles County Museum of Art to 2005 at the Camera Club in New York City. Katjanelson’s career has been absorbed into the larger history of American art, but it deserves revisionist study. Her large body of work, her uncommon perseverance, her candid writings and her joyful embrace of learning warrant our renewed attention.
Sources:
An interview with Vincent Longo, geoform.net
Interviews with Jaine O’Neill, September and November 2014
Katjanelson, Anita. unpublished diary, August 27 to December 19, 1976
Krauss, Rosalind. “Grids”, October, vol. 9, summer 1979, pp. 50 – 64
Longo, Vincent. Biography, vincentlongoartistlist.com
Zimmer, Lori. “Minimalist Voices of the Past and Present”, October 9, 2014, Mutualart.com